[{"data":1,"prerenderedAt":312},["ShallowReactive",2],{"exhibition-five-videos":3},{"dateFrom":4,"dateTo":5,"slug":6,"exhibitionText":9,"artistBioTabTitle":189,"_id":190,"artistName":191,"artistBio":192,"gallery":273,"showName":311},"2026-07-29","2026-08-02",{"current":7,"_type":8},"five-videos","slug",[10,30,38,46,62,81,97,133,149,161,177],{"_type":11,"style":12,"_key":13,"markDefs":14,"children":15},"block","normal","a26bd5f66c0f",[],[16,21,26],{"_type":17,"marks":18,"text":19,"_key":20},"span",[],"NEVEN presents five consecutive days of moving image screenings at\nthe gallery.\n\nYoung Boy Dancing Group\n","bb8b59c39ba7",{"_type":17,"marks":22,"text":24,"_key":25},[23],"em","04.2026","7455c61b288d",{"_key":27,"_type":17,"marks":28,"text":29},"81f8198ef06e",[],", 2026\nSingle-channel video, colour, sound\n6 minutes 11 seconds",{"markDefs":31,"children":32,"_type":11,"style":12,"_key":37},[],[33],{"_type":17,"marks":34,"text":35,"_key":36},[],"Young Boy Dancing Group mobilises the moving image as an extension of its distinctive choreographic and live performance practice. Filmed through a warped lens, this work uses distortion, proximity, and spatial disorientation to confuse distinctions between body, environment and image, continuously folding dancers, architecture and perspective into one another. The result is a visual field in which individual bodies appear at once singular, collective, and sculptural. The camera becomes an active participant and point of view in the choreography, generating shifting perspectives that destabilise conventional modes of spectatorship and orientation. Accompanied by an original soundtrack by Berlin-based music producer and electronic artist K. G. Helm, the work unfolds as a dizzying audiovisual and kinetic installation.","b8205901b6dd","8c1e1f7a42e3",{"markDefs":39,"children":40,"_type":11,"style":12,"_key":45},[],[41],{"_key":42,"_type":17,"marks":43,"text":44},"2bcb49aed0d3",[],"Featuring Manu Anima, Maria Metsalu, r seventeen, Toni Walker.\n","f823c663cb25",{"_type":11,"style":12,"_key":47,"markDefs":48,"children":49},"55b2b41ee08b",[],[50,54,58],{"text":51,"_key":52,"_type":17,"marks":53},"Hongxi Li\n","0d0b7b159e88",[],{"_type":17,"marks":55,"text":56,"_key":57},[23],"anAppointment","d13305f0d97a",{"_type":17,"marks":59,"text":60,"_key":61},[],", 2025\nSingle-channel video, colour, sound\n23 minutes 33 seconds","964ea0b693df",{"_type":11,"style":12,"_key":63,"markDefs":64,"children":65},"0ce1f11b4999",[],[66,70,74,77],{"_type":17,"marks":67,"text":68,"_key":69},[23],"anAppointment ","e28301f5c12a",{"_type":17,"marks":71,"text":72,"_key":73},[],"features Li in the role of Jolene, a fictional persona who recurs across the artist’s projects as both a character and a medium. Dressed in grey corporate attire, Jolene embodies an East Asian female archetype that Li uses to question social roles and explore themes of collective pressure, aspiration, and emotional discomfort. ","3011e1d46d27",{"_key":75,"_type":17,"marks":76,"text":68},"8e7451df7ece",[23],{"_key":78,"_type":17,"marks":79,"text":80},"98ba89fe09ea",[],"documents the unscripted encounter between the fictional character and a real dominatrix, Mistress Iris, who guides Jolene through her first “looning” session. Looning – or balloon fetishism – involves the erotic enjoyment of inflating, rubbing, sitting on, or popping balloons. The encounter unfolds as an exploration of desire, control, and exposure, gradually revealing Jolene’s unspoken fears and longings. As the improvised performance progresses, the boundary between character and creator begins to blur, allowing fiction, authorship, and embodied experience to bleed into one another.",{"style":12,"_key":82,"markDefs":83,"children":84,"_type":11},"1f734cc5f3ae",[],[85,89,93],{"_key":86,"_type":17,"marks":87,"text":88},"4fdea20180f0",[],"\nJill Westwood\n",{"text":90,"_key":91,"_type":17,"marks":92},"RAW UNKNOWN","ff960a5df2b0",[23],{"_type":17,"marks":94,"text":95,"_key":96},[],", 2024\nSingle-channel video, colour, sound\n23 minutes","5b0fff3b0908",{"markDefs":98,"children":99,"_type":11,"style":12,"_key":132},[],[100,104,108,112,116,120,124,128],{"_key":101,"_type":17,"marks":102,"text":103},"2c7e8b865795",[23],"RAW UNKNOWN ",{"text":105,"_key":106,"_type":17,"marks":107},"is an audio-visual-poetic work that traverses more than four decades of Jill Westwood's practice. Originally conceived as part of a live performance for ","a9c0be7c1b04",[],{"_key":109,"_type":17,"marks":110,"text":111},"c05af925762d",[23],"Nothing Short of A Total War!",{"marks":113,"text":114,"_key":115,"_type":17},[]," at the Brighton Festival (Spiegel Tent, 28 May 2024), a transgressive event in dialogue with the legacies of Coil, Throbbing Gristle and COUM, the film was inspired by a pivotal conversation with Nicolas Ballet following Westwood's interview for his book ","0111f6dd7d94",{"_type":17,"marks":117,"text":118,"_key":119},[23],"Shock Factory","c6d424b704cb",{"_type":17,"marks":121,"text":122,"_key":123},[],". Edited in a distinctly analogue, collage-based visual language reminiscent of the industrial and underground moving-image culture of the 1980s, the film layers Super 8 footage, performance documentation, sound and text into a dense, associative montage. Notably included is documentation of Fistfuck performances, fragments from Westwood's 1984 film ","70703df0c4e2",{"text":125,"_key":126,"_type":17,"marks":127},"The Wound","a2e5d2ded794",[23],{"_type":17,"marks":129,"text":130,"_key":131},[],", and subsequent collaborations through to 2024, tracing a continuous thread through Westwood's \"life as art\" approach. Through image, sound and reflection, Westwood explores what she describes as the \"sacred and RAW UNKNOWN\", asking what lies hidden within the unconscious, waiting to be revealed.\n","22aec3275f3f","77c52834bae2",{"markDefs":134,"children":135,"_type":11,"style":12,"_key":148},[],[136,140,144],{"_key":137,"_type":17,"marks":138,"text":139},"74348cda628a",[],"Adam Lewis Jacob\n",{"_type":17,"marks":141,"text":142,"_key":143},[23],"Ecstatic _____","5e380bc951af",{"_key":145,"_type":17,"marks":146,"text":147},"a08f0783f697",[],", 2025\nSingle-channel video, colour, sound\n9 minutes 28 seconds","7f99afc518ed",{"markDefs":150,"children":151,"_type":11,"style":12,"_key":160},[],[152,156],{"marks":153,"text":154,"_key":155,"_type":17},[23],"Ecstatic ______ (AKA Ecstatic Blank)","7c6d6a031def",{"text":157,"_key":158,"_type":17,"marks":159},", 2025, draws on research into post-war Japanese countercultures, historical left-wing direct action, and DIY music scenes. Referencing filmmakers Matsumoto Toshio and Adachi Masao, alongside writer Suzuki Izumi and photographer Nakahira Takuma, the work combines original and found footage, loosely following an unnamed protagonist played Bianca Scout trying to escape the city. Rooted in historical experimental film techniques and improvisation, the film features a snare-drum performance by the pioneering Japanese musician Ryosuke Kiyasu opposite Glasgow-based viola player Ailbhe Nic Oireachtaigh.\n","85acf2b7c9df",[],"e078b9f51d6e",{"children":162,"_type":11,"style":12,"_key":175,"markDefs":176},[163,167,171],{"_type":17,"marks":164,"text":165,"_key":166},[],"Leo Costelloe\n","aa370b16de39",{"_key":168,"_type":17,"marks":169,"text":170},"17d453dafab0",[23],"Hats Shoes Handbags",{"_key":172,"_type":17,"marks":173,"text":174},"020f36f9005d",[],", 2026\nSingle-channel video, colour, sound","10fad22b3a22",[],{"markDefs":178,"children":179,"_type":11,"style":12,"_key":188},[],[180,184],{"_type":17,"marks":181,"text":182,"_key":183},[23],"Hats Shoes Handbags ","5ce66d0f9ef1",{"_key":185,"_type":17,"marks":186,"text":187},"70c9c084bc3e",[],"adopts the distinctive vernacular of British Pathé’s fashion shorts, shown in movie theatres prior to main features between 1910 and the 1970s. These quick, engaging \"cinemagazine” features showcased the latest seasonal designs, runway shows, and street styles, a primary source for clothing trends and style evolution before the rise of television. In Costelloe’s work, a spotlighted model moves through a series of historically inspired fashion poses, wearing a variety of vintage outfits while an intimate monologue, voiced in French by designer Monique Fei, narrates the dissonant collision of seductive couture with ecological catastrophe. Written like a compulsive, sensory shopping list of fabrics, brand names and items, the script meditates on excess and fantasy, exploring consumer desire, self-fashioning and the uneasy pleasures of glamour in an age of collapse. The work exposes how luxury and consumption can function simultaneously as seduction, protection and denial.","1eba5da2de55","Artist Bios","4b29eedf-8712-4be7-b999-ad59cbbc08bd","Leo Costelloe, Adam Lewis Jacob, Hongxi Li, Jill Westwood, Young Boy Dancing Group",[193,201,209,217,225,265],{"markDefs":194,"children":195,"_type":11,"style":12,"_key":200},[],[196],{"marks":197,"text":198,"_key":199,"_type":17},[],"LEO COSTELLOE (b. 1993, Canberra) is a London-based, Irish-Australian interdisciplinary artist whose work explores the transient and sentimental nature of objects in contemporary culture. Costelloe has presented solo exhibitions at The Shop at Sadie Coles HQ, London (2025); NEVEN, London (2024); Ridley Road Project Space, London (2022) and Kupfer, London (2023). Their work has been featured in group exhibitions at Felix Art Fair, Los Angeles (2026) with Carlye Packer; ZÉRUÌ, London (2026); CAIM, Slane Castle, Ireland (2025); NADA New York (2025); Matt Carey-Williams, London (2024); Studio West Gallery, London (2024); Indigo + Madder, London (2023); The Stanley & Audrey Burton Gallery, Leeds (2023); General Assembly, London (2023); Kupfer, London (2023); Photobook Gallery, London (2023); and Ridley Road Project Space, London (2022). Costelloe has worked with a variety of brands and institutions, including Monique Fei, ShowStudio, the British Fashion Council, and Dover Street Market New York. They were awarded the Swarovski Scholar Award in 2020. Costelloe graduated from Central Saint Martins with a BA (Hons) in Jewellery Design.","628ade5009bb","c30b99651c17",{"_key":202,"markDefs":203,"children":204,"_type":11,"style":12},"9a3935926c80",[],[205],{"_type":17,"marks":206,"text":207,"_key":208},[],"","68455fb8cd0d",{"markDefs":210,"children":211,"_type":11,"style":12,"_key":216},[],[212],{"text":213,"_key":214,"_type":17,"marks":215},"ADAM LEWIS JACOB is an artist and filmmaker based in Glasgow and Poole. Working across sculpture, moving image, and publication, his work is guided by the people he meets and the relationships that form. Attracted to overlooked figures, outsiders and subculture, he is interested in processes of transformation, circulation and repair. He has presented solo exhibitions and screenings at Tokyo Arts and Space, Tokyo (2025); Bagnoler, Paris (2023); Edinburgh Sculpture Workshop (2023); LUX, London (2022); Vivid Projects (2022); Peak, London (2020); CCA Glasgow (2019); and the Edinburgh Art Festival (2018). His work has been included in exhibitions and screenings at David Dale Gallery and Studios as part of Glasgow International (2026); Glasgow Short Film Festival (2022); Berwick Film and Media Arts Festival (2021); Alchemy Film and Moving Image Festival (2021); Viborg Kunsthal, Denmark (2021); Ann Arbor Film Festival (2020); LUX, London (2018); Studio 55, South Korea (2017); the Duolun Museum of Contemporary Art, Shanghai (2017), and Kochi-Muziris Biennale, Kochi (2016). He was the recipient of the British Council’s Connections Through Culture Grant (2024), multiple Creative Scotland Open Project Fund awards, and the BBC/LUX Now & Next Commission (2019). He was selected for the Mountain School of Arts program in Los Angeles in 2011 and completed his MFA at the Glasgow School of Art in 2015, including an exchange at Piet Zwart Institute in Rotterdam. Jacob is a co-founder of the artist-run space Céline (2015–2025) and recently established G.G.’s, an artist-led project organising exhibitions, screenings and publications. Through G.G., he has curated exhibitions as part of Glasgow International and Systema, Marseille.\n","ce95706b9323",[],"89a54fdb541c",{"style":12,"_key":218,"markDefs":219,"children":220,"_type":11},"a598de43f5a8",[],[221],{"_key":222,"_type":17,"marks":223,"text":224},"08a919fc56b8",[],"HONGXI LI (b. 1996, Xiamen, China) is a London-based artist whose concept-driven practice spans sculpture, installation, performance, moving image, and photography. Her work examines how social systems, mass-production hierarchies, and power structures shape behaviour, emotion, and the body, with a focus on post-communist and Sino-capitalist contexts. Li has been the subject of solo shows at Neven, London (2024); Harlesden High Street, London (2022) and V.O Curations, London (2022). Select group exhibitions include Macrocosmic Futures at Spike Island, Bristol, organised by Diasporas Now (UK National Tour) (2026); Victoria and Albert Museum, London, organised by Diasporas Now (UK National Tour) (2026); West Bund Art & Design, Shanghai (2025); Drifts Festival, Helsinki (2025); Bow Arts, London (2024); Kupfer Projects, London (2024); and 9 French Place, London (2023) amongst others. She graduated from MA Sculpture at London’s Royal College of Art in 2024.\n",{"_key":226,"markDefs":227,"children":228,"_type":11,"style":12},"1542bafdb5ae",[],[229,233,237,241,245,249,253,257,261],{"_type":17,"marks":230,"text":231,"_key":232},[],"Dr JILL WESTWOOD (b. 1960, Black Country, UK) is an artist, art psychotherapist and researcher working across photography, film, performance and writing. Her early 1980s practice, which she coined ‘life as art’, emerged from London’s industrial and underground performance scenes, exploring sexuality, intimacy, power, and the dynamics of control and submission, directly confronting the censorship of imagery relating to eroticism, kink, and fetish at the time. She is currently showing work at Giselle’s Books, Marseille (2026) and in the group survey ","ed4e258cfa17",{"text":234,"_key":235,"_type":17,"marks":236},"Unruly – The body in punk","2ea1fbfd8a13",[23],{"_type":17,"marks":238,"text":239,"_key":240},[]," at ARoS, Aarhus (2026). She was the subject of a solo show at NEVEN, London (2026). Her work has featured in group exhibitions at ARoS, Aarhus (2026); David Dale Gallery & Studios, Glasgow (2026) as part of Glasgow International; Sadie Coles HQ, London (2026) hosting sans titre, Paris, as part of Condo London; ","055abcb51941",{"text":242,"_key":243,"_type":17,"marks":244},"Systema","2caeeeaaab46",[23],{"_type":17,"marks":246,"text":247,"_key":248},[],", Palais Carli, Marseille (2025); ","213e7c1bc1a9",{"_type":17,"marks":250,"text":251,"_key":252},[23],"Leigh Bowery!,","ceaad4e88fce",{"_type":17,"marks":254,"text":255,"_key":256},[]," Tate Modern, London (2025); ","a07b2554b0ea",{"text":258,"_key":259,"_type":17,"marks":260},"Women in Revolt: Art and Activism in the UK 1970-1990","d4f9dfb4ea36",[23],{"_key":262,"_type":17,"marks":263,"text":264},"38a9b935f9eb",[],", Tate Britain, London/National Galleries of Scotland, Edinburgh/Whitworth Gallery, Manchester (2023-25), amongst others. Her films have been screened at the British Film Institute, London (2014, 2024). She has led MA Art Psychotherapy programs at Western Sydney University and Goldsmiths, University of London.\n",{"_type":11,"style":12,"_key":266,"markDefs":267,"children":268},"4aebfe984cc1",[],[269],{"_type":17,"marks":270,"text":271,"_key":272},[],"YOUNG BOY DANCING GROUP is a mercurial performance group initiated in 2014. Their site-specific live work is characterised by intense and genre-defying physical performances that blur the lines between dance, sculpture and ritual. They have notably performed at Ephemera Festival, Warsaw (2026); Teatros del Canal, Madrid (2026); Schinkel Pavilion, Berlin (2025); BUoY, Tokyo (2025); Acs, Seoul (2025); Eaton, Hong Kong (2025); Pioneer Works, New York City, NY (2024); Art Basel, Basel (2024); Performance Space New York, New York City, NY (2024), Kim?, Riga (2024); Rhizome, New York City, NY (2024); Dover Street Market, Paris (2024); Silencio, Paris (2024); Mendes Wood DM, Sao Paulo (2023); O’Flaherty’s, New York City, NY (2023); Nikolaj Kunsthal, Copenhagen (2023); Icelandic Art Center, Reykjavik (2023); Art Hub, Copenhagen (2023); Perrrformat, Zürich (2021); Disappearing Berlin at Schinkel Pavilion, Berlin (2021); BOFFO, New York City, NY (2019); OCDChinatown, New York City, NY (2019); Ceremonia, Mexico City (2019); Nave, Santiago (2019); UV estudios, Buenos Aires (2018); Baltic Triannial, Tallinn (2018); Athens Biennale, Athens (2018); Creepy Teepee, Kutná Hora (2018); Kammer Spiele, Munich (2017); Kunstraum, London (2017); Yvonne Lambert, Berlin (2017); Roskilde Music Festival (2017); Lithuanian Pavilion, La Biennale di Venezia, Venice (2015).","3f497b85ffba",[274,278,281,285,288,291,294,298,301,304,308],{"caption":275,"asset":276},"Adam Lewis Jacob, Ecstatic _____, 2025 (still)",{"_ref":277},"image-e7d8dcfde8238047acfb2a9300f5f16e048f1e91-2476x1384-png",{"caption":275,"asset":279},{"_ref":280},"image-a30b63905b687b42da0315bc6cb65cd7b91d91ec-2476x1384-png",{"asset":282,"caption":284},{"_ref":283},"image-db6e7043a3f223ce0e72beaaa5c56c7b6720a212-2852x1590-png","Jill Westwood, RAW UNKNOWN, 2024 (still)",{"caption":284,"asset":286},{"_ref":287},"image-7bd994fdb135da5e0873b7ec003dc907e6c91796-2852x1590-png",{"asset":289,"caption":284},{"_ref":290},"image-dc68ac6ed907887a5437159a227f86fc4f636143-2852x1590-png",{"asset":292,"caption":284},{"_ref":293},"image-5ec686e23a77cb4613068c57454ccb97caea5b12-2852x1590-png",{"asset":295,"caption":297},{"_ref":296},"image-832c48695b7096dcc0081e14d1ecba25635aa661-2026x1504-png","Hongxi Li, anAppointment, 2025 (still)",{"asset":299,"caption":297},{"_ref":300},"image-eed1edae45618b9b15b8d5ff1efc5a3d320abbb3-2026x1504-png",{"asset":302,"caption":297},{"_ref":303},"image-706a2a6f221d6f4cafa708a04c596e5ffeb282fb-2026x1504-png",{"asset":305,"caption":307},{"_ref":306},"image-e84d49a3226431dc8ff317709d2d9c932564b251-2476x1384-png","Young Boy Dancing Group, 04.2026, 2026 (still)",{"asset":309,"caption":307},{"_ref":310},"image-09cdf5156eb173739d3526db509d2ff41f2dde0e-2476x1384-png","Five videos",1784643019841]